Leopard

The Leopard by Giuseppe Tomasi di Lampedusa, translated by Archibald Colquhoun, 320 pages

Don Fabrizio, Prince of Salinas, would be perfectly content ruling over his large family, amusing himself with his mistress, indulging in his passion for astronomy, playing with his dog, and watching over his hereditary estates with benevolent indifference.  Unfortunately for him, history has other plans, as Garibaldi's revolutionaries lay siege to Palermo, with Fabrizio's own nephew, the dashing Tancredi, joining them in their effort to overthrow the monarchy.  Even in the security of his country estate at Donnafugata, the prince has to reckon with his eldest daughter Concetta's love for Tancredi and his nephew's growing affection for the bourgeois beauty Angelica.

The Leopard is a masterpiece.  It is not a dramatic novel - most of the major external conflicts are resolved without struggle or comment.  The real drama is social, historical, psychological, and, in the end, metaphysical.  Despite the sentimentality of its characters, it is a remarkably unsentimental work.  There is much to attract us in the passing world of the Sicilian nobility, but the novel does not romanticize them.  CS Lewis famously remarked that there is no "magic about the past.  People were no cleverer then than they are now; they made as many mistakes as we.  But not the same mistakes.  They will not flatter us in the errors we are already committing; and their own errors, being now open and palpable, will not endanger us."  So it is with The Leopard - the novel unfolds for the reader a universe of values which overlaps but significantly diverges from those of liberal modernity and allows him to judge between them.