Brunelleschi's Dome

Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture by Ross King, 167 pages

At the end of the 13th century, the Florentines decided that they required a new cathedral, as much to celebrate the city's growing prosperity as to replace the crumbling Santa Reparata.  An ambitious plan was approved, but progress was slow, and it was not until the beginning of the 15th century that preparations began for the construction of what would be the largest masonry dome ever constructed.  Filippo Brunelleschi's innovative proposal for the dome construction was ultimately selected over several more conventional plans, including one by Lorenzo Ghiberti.  The dome was completed sixteen years later and remains an iconic symbol of one of the most beautiful cities in the world.

The story of this construction, through two decades of war, plague, and civil strife, is the subject of Ross King's book.  It is a promising subject indeed - a great construction project during one of the most colorful and fertile periods in human history, a contest of human ingenuity and the feuding wills of great artists and their patrons.  Unfortunately, King's book is deadly dull.  Working with incomplete historical and biographical records, he constructs his own account of events, asserting that a figure "must have" done this, or "seems to have" done that.  He plays equally fast and loose with history (at one point he flatly declares that the technique of perspective was "lost", then shortly thereafter says it was abandoned as "dishonest") and even basic facts (he asserts that other than Brunelleschi, the "only other person interred inside the cathedral was St Zenobius", which seems to be simply untrue).  Worse than all this, he seems to regard only the technical challenges of construction to be worth writing about, resulting in a book that contains nothing of beauty, nothing of poetry, and precious little of mind or spirit.

Mornings in Florence

Mornings in Florence, Being Simple Studies of Christian Art for English Travellers by John Ruskin, 115 pages

Mornings in Florence takes the form of a guidebook, wherein the reader is instructed how to profitably spend six successive mornings in Florence examining the art and architecture of the late Middle Ages and early Renaissance.  It is a book written in open contempt for the guidebooks of Ruskin's day, and it is undoubted that he would have been no more impressed by Mr Steves in our day than he was by Mr Murray in his own.  Moving back and forth between Santa Maria Novella, Santa Croce, and the Duomo, the purpose here is less to tell the reader what he should see as how he should see.  And this is a gift that extends to much more than the appreciation of Cimabue and Giotto and Botticelli, great as they are: "Easy or not, it is all the sight required of you in this world - to see things, and men, and yourself - as they are."

Ruskin is able to see things as they are, not because of his excellent education or refined sensibility or even because he was an incredible snob, but because he was not a materialist, not even unconsciously.  Whatever the truths or errors of his personal metaphysics, Ruskin was able to hear that "higher wisdom, governing by her presence, all earthly conduct, and by her teaching, all earthly art, Florence tells you, she obtained only by prayer."

The Secret Life of Sunflowers

The Secret Life of Sunflowers by Marta Molnar 404 pages

 

I would say that most Americans from high school on up know who Vincent Van Gogh is: The creator of some of the world’s most beautiful paintings (Starry, Starry Night; Sunflowers to name a few) or the mad painter who cut off his ear and gave it to a prostitute as a sign of affection. There have been hundreds of books, movies, songs and tv shows that give readers/watchers an insight to this complicated man.

 

But this novel gives readers a new perspective, When Vincent dies in 1890 by suicide (gunshot to the chest), he leaves his paintings to his brother, Theo, and his wife, Johanna. After Theo dies in 1891, the paintings are left to Johanna. And Johanna is the subject of this powerful novel with the theme of inspiring women.

 

Even before Theo’s death from general paresis of insane in 1891, Johanna was trying to establish Vincent reputation in the art world. True she the money that his paintings would bring, but in the 1890s, women did not have many ways to earn a living, Plus she had her son to provide for.

 

Now then, this book takes on a dual narrative that is not quite interesting as Johanna’s story, yet Johanna becomes an inspiration to Emsley Wilson, who is the fictional granddaughter of Violet Valkyrie, a woman who was also a well-known artist. Emsley lives and works in LA as a Hollywood auctioneer. Violet had Johanna’s diary, which is the catalyst for the novel when Violet has her look into her blue box at the back of her closet and encourages Emsley to read it.

 

Bottom line: It is because of Johanna’s unrelenting ambition to make Vincent a household name that it is. Throw in some 2022 shenanigans from Emsley’s ex-boyfriend and best friend to take her business and an unexpected romance that create such a riveting. For me, the first four chapters were rather slow, but once I started Chapter 5, I couldn’t put it down. Therefore, The Secret Life of Sunflowers gets 5 out of 5 stars in Julie’s world.

 

A Craftsman's Legacy

A Craftsman's Legacy by Eric Gorges, 245 pages

In much of the developed world where work centers around computer screens, this is a refreshing examination of artisans who use their hands to make things. The book's chapters are theme-titled but several of them focus on a particular artisan and their craft: a potter, furniture maker, stone carver, glassblower, calligrapher, etc. The author's own biography is creatively interwoven throughout: he worked in the tech industry, developed mental health issues which were relieved as he became a motorcycle maker. Having experienced skilled mechanics and carpenters myself I've often thought that it takes as much smarts to be a good artisan as academic, business leader or politician and this book fed that conviction. I highly recommend it if you need a break, like I did, from disembodied concepts, ideas and screens. It is likely to increase your appreciation for artisans and to inspire you to rub your hands before heading toward a work of your own.

Ink & Paint

Ink & Paint: The Women of Walt Disney's Animation by Mindy Johnson   384 pages

When I first read about this book, I wanted to read it --- but I wasn't expecting it to be a coffee-table-size book. When I picked up my hold from the library, I then was expecting more pictures than text.  And I was wrong: there is a lot of text here.  And, this book is completely fascinating!!

The author goes into detail about the women who worked to painstakingly bring to life the various pencil drawings to animate creations at Walt Disney's studios. Like Code Girls, this book focuses on history that basically has gone untold (and pretty unappreciated) until now. The sheer amount of work that went into the early processes is staggering, and now that I've read this, I can really appreciate short pieces from the Silly Symphony catalog. The author explains not only the different color processes and techniques, but also how delicate and precise the work needed to be, as well as the evolution of the animation process through the years. In addition to seeking artists, Disney sought out female story specialists and concept artists to expand the scope of his storytelling. Over the years, women made their way into the male-dominated area of animation. During World War II, even more opportunities became available, and women quickly progressed into all kinds of disciplines within the animation process and production.

This book is obviously extensively researched and is very, very thorough in detail. I found I was reading slowly, because there's just so much information to take in.  Really a fascinating book!!

Moonlight Over Paris

Moonlight Over Paris by Jennifer Robson    352 pages

           

December 1923.  Lady Helena Montagu-Douglas-Parr is near death in her London home. Doctors have told her parents to start planning for the worse. I believe that her illness was scarlet fever, but that didn’t come out until about halfway through the story. Robson would have readers believe that her broken engagement has caused her illness.

She feels the shame and shun or her relatives, friends, and strangers. Her five-year engagement to Edward is over. The Great War changed him, but it wasn’t her who broke off the relationship; it was Edward. Now Helena is 28, and her prospects are few.

A letter arrives from her bohemian, free-spirited Aunt Agnes in Paris. She invites Helena to come and visit her. Helena quickly agrees, despite her parents’ concerns.

Helena has always been drawn to art and enrolls in an art school under the tutelage of Maitre Czerny. She drops her title and simply becomes Helena Parr.

Although Robson is an excellent writer and researcher, the story becomes predictable. She does her best at art but is never noticed by Czerny. She becomes fast friends with three of her classmates and, together, they rent a studio. She meets a handsome American, Sam Howard, to whom she is attracted. They hit it off and are smitten with each other, yet…

There are a lot of wonderful details in the work. I enjoyed watching Helena become an artist and gain self-confidence that he broken engagement destroyed.

Although it’s predictable, Moonlight Over Paris has strong characters and character development. Since I didn’t expect anything different, I really enjoyed this read.

I give Moonlight Over Paris  4 out of 5 stars.