There Will Come a Darkness

There Will Come a Darkness by Katy Rose Pool, 496 pages

This is a pretty solidly written action-adventure fantasy. The world is interesting and different. I felt like lots of elements of it were based on ancient history, in areas like Greece and Rome. I also liked the prophecy aspect of it, of five different characters whose stories will eventually overlap, each with their own role to play in this prophecy.

This book, while having familiar elements like good vs. evil, people with powers vs. people without, and prophetic hints for the future, it still managed to surprise me every once in a while.

The only thing that held me back from liking it was the fact that I didn’t care for any of the characters, which is usually a big bummer for me and keeps me from enjoying the book very much. But, I’d still recommend it, because I’m sure there are plenty of readers out there, especially fans of the fantasy genre, who would enjoy this book a great deal. It’s got action, it’s got supernatural elements, and it’s got a classic “end of the world” scenario on the horizon. So definitely check it out.

His Hideous Heart

His Hideous Heart edited by Dahlia Adler, 480 pages

Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.

Contributors include Kendare Blake (reimagining “Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morge”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”)

I wish I didn’t have such high expectations for this book going in, or I might have been less disappointed by it. I love Poe’s work so much, so seeing this anthology come-up I was thrilled at the prospect of reimagined tales. Sadly, I felt like the stories included here were just okay. One or two caught my attention, but overall, the feeling was less disturbing, more mildly spooky. Some of the stories just didn’t feel well put-together.

Would I still recommend this book? Yes, because I think it’s important that Poe’s writing is still being talked about and is being brought to new readers in a contemporary way. If you are a major fan of Poe, like me, just don’t go into this book with the bar set high. Give to those who are looking for an introduction into horror and want to start off with something light.

The Miseducation of Cameron Post

The Miseducation of Cameron Post by Emily M. Danforth     485 pages

From Goodreads:

When Cameron Post's parents die suddenly in a car crash, her shocking first thought is relief. Relief they'll never know that, hours earlier, she had been kissing a girl.

But that relief doesn't last, and Cam is soon forced to move in with her conservative aunt Ruth and her well-intentioned but hopelessly old-fashioned grandmother. She knows that from this point on, her life will forever be different. Survival in Miles City, Montana, means blending in and leaving well enough alone (as her grandmother might say), and Cam becomes an expert at both.

Then Coley Taylor moves to town. Beautiful, pickup-driving Coley is a perfect cowgirl with the perfect boyfriend to match. She and Cam forge an unexpected and intense friendship--one that seems to leave room for something more to emerge. But just as that starts to seem like a real possibility, ultrareligious Aunt Ruth takes drastic action to "fix" her niece, bringing Cam face-to-face with the cost of denying her true self--even if she's not exactly sure who that is.

Review:

This is a well written book in the much needed, slowly expanding LGBTQIA Young Adult genre. I think many teens will relate to Cameron’s earnest, authentic voice and her experiences as she grows up. There are a lot of difficult topics brought up, but it’s important that they are and this book doesn’t shy away from them. I think, not just for young adults, but adults as well, this book is a great choice. Danforth really captures the teenage voice and the story is so compelling. It’s a long read, but it’s really worth it and for anyone who likes that slice-of-life or coming-of-age genre, this is a perfect choice. It’s all about what it means to be a teenager and the highs and lows of young adult life. I would definitely recommend it.

There There

There There by Tommy Orange     294 pages

From Goodreads:

There There is a relentlessly paced multigenerational story about violence and recovery, memory and identity, and the beauty and despair woven into the history of a nation and its people. It tells the story of twelve characters, each of whom have private reasons for traveling to the Big Oakland Powwow. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life back together after his uncle’s death and has come to work at the powwow to honor his uncle’s memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil, who has taught himself traditional Indian dance through YouTube videos and has come to the powwow to dance in public for the very first time. There will be glorious communion, and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and unspeakable loss.

My Review:

I didn't really know what I was getting into when I started this book, but wow it sure took me places. Things I liked: the dichotomy that Orange explores about being Native, being mixed race, of having ancestors who owned this land and some who took that land away. I loved the different ways he explored this topic through the lens of so many people with such different backgrounds. I also loved how all these characters struggled with the feeling of "acting Indian" because it feels like a trope now, just one more thing that White culture has taken away. This struggle is then met with Orange's discussions on how Indians have evolved, that they can be Urban and still Native. Things I didn't like: the multiple view points. I know I said I liked seeing all the different perspectives, but I also don't like reading so many perspectives. It's hard for me to keep them all straight, and since only a small amount of time is given to each person, it made it harder for me to remember the intricacies of each character. I also had a hard time getting into the way the story organically grew out of nothing and then ended right at the climax. It was a strange build to a story, one that I could see the outline of, but it also didn't really help keep me invested. I didn't like how sudden the ending was and I'm still trying to wrap my head around what it all meant, which in a way is a good thing, because that means the story has stuck with me, but in a way it's bad because I don't feel I'm likely to get any answers. I would recommend this story because it's a hard-hitting one from a Native voice and it demands to be heard. It's sad and it's hopeful and it'll make you sit up and pay attention. Orange has a commanding voice in this book and I think it really reached me. So dig into it if you can.

Eloquent Rage

Eloquent Rage by Brittany Cooper     288 pages

From Goodreads:

So what if it's true that Black women are mad as hell? They have the right to be. In the Black feminist tradition of Audre Lorde, Brittney Cooper reminds us that anger is a powerful source of energy that can give us the strength to keep on fighting.

Far too often, Black women's anger has been caricatured into an ugly and destructive force that threatens the civility and social fabric of American democracy. But Cooper shows us that there is more to the story than that. Black women's eloquent rage is what makes Serena Williams such a powerful tennis player. It's what makes Beyonce's girl power anthems resonate so hard. It's what makes Michelle Obama an icon.

Eloquent Rage keeps us all honest and accountable. It reminds women that they don't have to settle for less. When Cooper learned of her grandmother's eloquent rage about love, sex, and marriage in an epic and hilarious front-porch confrontation, her life was changed. And it took another intervention, this time staged by one of her homegirls, to turn Brittney into the fierce feminist she is today. In Brittney Cooper's world, neither mean girls nor fuckboys ever win. But homegirls emerge as heroes. This book argues that ultimately feminism, friendship, and faith in one's own superpowers are all we really need to turn things right side up again.

My Review:

I learned a lot while reading this book. Cooper brought a lot of new things (for me) to the table. I would have loved to read this in a class setting, to have other folks to talk about it with to better digest what I read. As I read it on my own, I have some things I can take away with it, and I'll certainly mull over other things, but I feel like I lacked the educational rigor to understand some of the concepts she brought up. Otherwise, it's a lot to chew on, but I'd recommend it because Cooper's intelligent delivery is worth reading through. You'll definitely learn something and perhaps have a new perspective.

The Body at the Tower

The Body at the Tower by Y. S. Lee   337 pages

From Goodreads:

Now nearly a full-fledged member of the Agency, the all-female detective unit operating out of Miss Scrimshaw's Academy for Girls, Mary Quinn is back for another action-packed adventure. Disguised as a poor apprentice builder and a boy, she must brave the grimy underbelly of Victorian London - as well as childhood fear, hunger, and constant want - to unmask the identity of a murderer. Assigned to monitor a building site on the clock tower of the Houses of Parliament, Mary earns the confidence of the work crew, inching ever nearer her suspect. But if an irresistible desire to help the city's needy doesn't distract her and jeopardize her cover, unexpectedly meeting up with an old friend - or flame - just might.

My Review:

It's been a long time since I read the first book in the series, and some references too that book in this one went over my head (but I blame myself for that), but I still remembered the sense I got while reading that first book that I really liked this world Lee has built. It's no different with this second installment of the Mary Quinn series.

Overall, if you're just picking this book up the action is slow to build, the story is revealed in fits and stars because Lee takes a good portion of time building the world of Victorian London for you, the reader who is not familiar with this time period, to enjoy. I don't mind this as I enjoy the characters and Lee's writing, but someone who only likes to read fast-paced mysteries will probably find this book boring. I think it's worth sticking it out, because who kno
ws, the next book might be different.

My Beloved World

My Beloved World by Sonia Sotomayor     302 pages

From Goodreads:

The first Latinx (Puerto Rican) and third woman appointed to the US Supreme Court, Sonia Sotomayor has become an instant American icon. Now, with a candor and intimacy never undertaken by a sitting Justice, she recounts her life from a Bronx housing project to the federal bench, a journey that offers an inspiring testament to her own extraordinary determination and the power of believing in oneself. 

My Review: 

I absolutely love Sonia Sotomayor and this autobiography is so well written. Her life, the work she has done and continues to do, and her spirit are so inspirational. I loved getting to know her and her life better and her account of the struggles she endured to get to where she is blew me away. I highly recommend this book to anyone looking for a book about a strong, female role-model because she is it!

American Street

American Street by Ibi Zoboi     324 pages

From Goodreads:

On the corner of American Street and Joy Road, Fabiola Toussaint thought she would finally find une belle vie—a good life.

But after they leave Port-au-Prince, Haiti, Fabiola’s mother is detained by U.S. immigration, leaving Fabiola to navigate her loud American cousins, Chantal, Donna, and Princess; the grittiness of Detroit’s west side; a new school; and a surprising romance, all on her own.

Just as she finds her footing in this strange new world, a dangerous proposition presents itself, and Fabiola soon realizes that freedom comes at a cost. Trapped at the crossroads of an impossible choice, will she pay the price for the American dream? 

Wow, this book really packs a punch! I did not have any idea the book would end up where it did. Zoboi does an excellent job of slowly building tension, of taking a single issue and branching it out, weaving it into a network of issues so tangled that you, the reader, can't imagine what the best path would be to take. You can only sit back and hope that Fabiola makes it out okay, and preferably gets her mother back. The writing is excellent, every character with strong, distinct voices creating a tightly woven fabric of family, because, after all, it's what you you do for fam.

I cannot say I enjoyed reading this book because it was so sad. I don't like reading sad books. But it's an important look into immigrant life in America, and of a particular city that has suffered much at the hands of gentrification. Fabiola's story is powerful, evocative, and it demands reading.

Daughter of Xanadu

Daughter of Xanadu by Dori Jones Yang     352 pages

From Goodreads:

Athletic and strong willed, Princess Emmajin's determined to do what no woman has done before: become a warrior in the army of her grandfather, the Great Khan Khubilai. In the Mongol world the only way to achieve respect is to show bravery and win glory on the battlefield. The last thing she wants is the distraction of the foreigner Marco Polo, who challenges her beliefs in the gardens of Xanadu. Marco has no skills in the "manly arts" of the Mongols: horse racing, archery, and wrestling. Still, he charms the Khan with his wit and story-telling. Emmajin sees a different Marco as they travel across 13th-century China, hunting 'dragons' and fighting elephant-back warriors. Now she faces a different battle as she struggles with her attraction towards Marco and her incredible goal of winning fame as a soldier.

Review:

I was very intrigued by this story when I first came across it. I have not really read anything about the Mongolian Empire, nor do I remember much about it from history classes. I was interested to see how the author would make this early empire come to life, especially as its told from a young woman's perspective.

And not just any young woman, but a princess and granddaughter of Khubilai Khan who wants to be a soldier in his army. Emmajin was a fascinating character, full of courage and strength. Even in her moments of fear and "weakness" she still showed a strong sense of self and a desire to be better, to be open minded, to learn. I loved watching her grow over the course of the novel, from a woman fighting for her right to her own future, a position in the army (a place no woman had been allowed before), and a strong desire to prove herself to someone who values peace, the cooperation with peoples of other nations, and a desire to end wars. Not only is Emmajin an excellent example of a strong female protagonist, she is also a really interesting person and seeing the world through her eyes was very enjoyable.


Overall, this was a good historical fiction story. It had twists and turns and a really well written character arc. If you're into historical fiction, or if you really dig character development, this is a good one to pick up.

Wide Sargasso Sea

Wide Sargasso Sea by Jean Rhys     189 pages

"Wide Sargasso Sea, a masterpiece of modern fiction, was Jean Rhys’s return to the literary center stage. She had a startling early career and was known for her extraordinary prose and haunting women characters. With Wide Sargasso Sea, her last and best-selling novel, she ingeniously brings into light one of fiction’s most fascinating characters: the madwoman in the attic from Charlotte Brontë’s Jane Eyre. This mesmerizing work introduces us to Antoinette Cosway, a sensual and protected young woman who is sold into marriage to the prideful Mr. Rochester. Rhys portrays Cosway amidst a society so driven by hatred, so skewed in its sexual relations, that it can literally drive a woman out of her mind."

Ultimately, this book was very boringly written, there was no plot, and the characters were so bizarre and weirdly written so as to make them confusing. I couldn't really say there was anything I particularly cared for in this book, so I had to give it the lowest rating because I did not enjoy reading any part of it. I had tried reading this a year ago, but could not get into it. I only attempted it again because of Book Riot's challenge. I have succeeded in reading all of it but not in liking it any better than the first time.

Hurricane Child

Hurricane Child by Kheryn Callendar     256 pages

"Twelve-year-old Caroline is a Hurricane Child, born on Water Island during a storm. Coming into this world during a hurricane is unlucky, and Caroline has had her share of bad luck already. She's hated by everyone in her small school, she can see things that no one else can see, and -- worst of all -- her mother left home one day and never came back. With no friends and days filled with heartache, Caroline is determined to find her mother. When a new student, Kalinda, arrives, Caroline's luck begins to turn around. Kalinda, a solemn girl from Barbados with a special smile for everyone, seems to see the things Caroline sees, too. Joined by their common gift, Kalinda agrees to help Caroline look for her mother, starting with a mysterious lady dressed in black. Soon, they discover the healing power of a close friendship between girls."

This book was not for me. Not only were the main characters unlikable, but the themes in this story seemed much too heavy to be geared toward young readers (now, I know, depending on where children grow up and what their sexual orientation is, or what their home life is like, this story isn't any worse than what they've experienced, but the way this story is written doesn't seem like it would bring a reader in, especially a young reader. The writing style, to me, doesn't seem as if it were written for the age the main character is, but this is my opinion). I will just say that I don't know what kind of reader I would ever be able to recommend this book to, because the story is challenging, the narrative is a bit all over the place, and there is not much of a plot.

Five Feet Apart

Five Feet Apart by Rachael Lippincott     288 pages

"Stella Grant likes to be in control—even though her totally out of control lungs have sent her in and out of the hospital most of her life. At this point, what Stella needs to control most is keeping herself away from anyone or anything that might pass along an infection and jeopardize the possibility of a lung transplant. Six feet apart. No exceptions.

The only thing Will Newman wants to be in control of is getting out of this hospital. He couldn’t care less about his treatments, or a fancy new clinical drug trial. Soon, he’ll turn eighteen and then he’ll be able to unplug all these machines and actually go see the world, not just its hospitals.

Will’s exactly what Stella needs to stay away from. If he so much as breathes on Stella she could lose her spot on the transplant list. Either one of them could die. The only way to stay alive is to stay apart. But suddenly six feet doesn’t feel like safety. It feels like punishment.

What if they could steal back just a little bit of the space their broken lungs have stolen from them? Would five feet apart really be so dangerous if it stops their hearts from breaking too?"

This was such a beautiful love story, told from the perspective of two teenagers with Cystic Fibrosis. Will and Stella couldn't be more different in their outlook on life, him wanting to stop treatment and life life to the fullest while he still can, she trying to hold everything together to get better so she won't hurt the people she loves. But when they meet, slowly they change each other for the better and they find love where they didn't expect it.

I found both Stella and Will to be well rounded characters and I liked them both. They both seemed believable and earnest in their feelings and the why of their feelings was explained well. I also felt that the relationships with side characters was strong, mostly between Stella and Poe. There was a feeling of real time spent together, their routines and inside jokes helped show just how much the knew and loved each other. Not much time was spent with other friend characters, like Stella's school friends or Will's friends, but the story was not long, so there wasn't much time to include these.

I think the parents were believable as well, though I do think it was a bit too good to be true for Stella's parents to <spoiler> have gotten back together so easily and quickly after Stella's long transplant</spoiler>. I do like that the parents were there and involved, rather than just being props to make the story move along.

I kept wondering how the story would end, since the prospect of CF being terminal suggests that one or both characters could die at any time. I am glad that the author didn't create a magical/unbelievable recovery for Will or made it so that both characters actually could be together in the way they wanted, as this would have taken away from the reality that this book is trying to convey. The ending is bittersweet, but also ambiguous in a hopeful way. Stella's and Will's stories are not quite over and you, the reader, are left to imagine what you think might happen to them.

Lastly, I very much enjoyed the author's decision to provide a very real portrayal of the lives of people with CF. I think many stories don't handle illnesses well, or attempt to use illness as a quirk to create a compelling or unique romance and end up using the illness as a tool or don't present it in an accurate way, thus showing that the inclusion of illness in the story is just to make it novel or provide a tragic reason that the two leads cant be together - I’m looking at you, Everything, Everything! From the way this book was written, really lovingly, I could tell that the author wanted to provide a positive story for those who have CF, that accurately represented their lives, and that would make them seen by the rest of the world. At no point in the book did I feel like CF was just a story tool or was used to add heightened drama. It was very real, eye opening, and moving.

I would highly recommend this story and I am very glad I read it. Anyone who loves teen romance stories or who want to read a book with compelling, well written characters should read this book.

To All the Boys I've Loved Before

To All the Boys I've Loved Before by Jenny Han

What if all the crushes you ever had found out how you felt about them… all at once?

Sixteen-year-old Lara Jean Song keeps her love letters in a hatbox her mother gave her. They aren’t love letters that anyone else wrote for her; these are ones she’s written. One for every boy she’s ever loved—five in all. When she writes, she pours out her heart and soul and says all the things she would never say in real life, because her letters are for her eyes only. Until the day her secret letters are mailed, and suddenly, Lara Jean’s love life goes from imaginary to out of control. 

What can I say about this book other than that it is disappointing because it wasn’t even close to what I was expecting? If you look at the cover, if you read the book description, all signs point to YA Romance. But that’s where it gets you: there is no romance.

Some might protest: “Oh no, there’s the romance between Lara Jean and Peter!” or “Lara Jean and Josh!” But I say, “NO.” This is not romance. For one thing, a fake relationship does not translate to romance. Even when Lara Jean and Peter <spoiler>admit that they like each other</spoiler> that does not really equal romance. And nothing comes of it anyway. For another, you can’t even count Josh – he’s a periphery and nothing happens <spoiler>and don’t even count the fact that he surprise kisses Lara Jean and she sort-of kisses him back before breaking it off.</spoiler>. NOT ROMANCE.

What this book is really is just a hint, a tease, to get you to read the next book. The beginning says: buckle up, the characters are circling each other in a “will they/won’t they”! The middle says: nothing remotely romantic is happening, only wistful day-dreaming about romantic things. The end says: PSYCH! No romance, just a could-have-been and now it’s over, but IS IT???!!!

Now I have to read the next book to see where that takes me – and to figure out why in bloody heck there’s a THIRD book. Why is this love story a series? I couldn’t figure it out before I read this book and now I know why. Because, most likely, the romance won’t happen till somewhere by the end of the second book, but probably not until the third book. Is it worth the struggle? I’ll say yes, because this book is a light, easy read.

Proceed with caution if I haven’t warned you off yet: Lara Jean is not the greatest head to be inside. As if her name weren’t cutesy enough, Lara Jean is such a “baby girl” that she reads more like a 13 year old. This is perpetuated by her continuous use of the titles, “Mommy,” and “Daddy,” for her parents. I’ve never met anyone above the age of 10 who calls their parents mommy and daddy. It was really freaking weird and I could not get over it. Lara Jean also has no life – she hangs out with her sister(s) and her dad and she goes to school. The only other person she sees more is Josh (because he freaking lives next door!). She has a sort-of girl friend, Chris, but that doesn’t really count because a) they don’t hang out at school and b) Chris only pops up every once in a while or calls Lara Jean. They don’t frequently see each other enough to call them best-friends.

And then, of course, there’s Peter. The “love interest.” I say it in quotes because <spoiler>their relationship is based on a contract</spoiler> but also because there is absolutely no chemistry between Lara Jean and Peter. In fact, Peter is very much still hung up over his ex-girlfriend throughout the book. Even when he says he likes Lara Jean, I sort of don’t believe him because I just don’t see any proof of that in the text and that’s either the author’s fault or Peter is just a really terrible person. But I think, it’s actually kind of both.

I’m going to go on a side-tangent here (feel free to skip to the bottom for my final say on this book): Neither Peter, nor Josh, are good romantic choices for Lara Jean.

I’ll start with Josh because the reason is really short: he’s her sister’s ex-girlfriend. Even if the author might in future write a scene where Margot says, “Lara Jean, I really am completely over Josh and I don’t even care that you and he are in a relationship, in fact, go you! I’m your biggest fan and supporter,” I would not be down with this relationship. For one, <spoiler>Margot breaks up with Josh and clearly still has feelings for him. And he for her. I don’t really buy the whole, “Lara Jean why didn’t you say something before because actually I love youuuu,” thing. In fact, it makes Josh an even bigger creep because he seems to be in love with Margot and Lara Jean interchangeably. If I were Lara Jean (or even Margot, to be honest) I’d be constantly worried about who Josh is thinking of when he kisses me/does anything romantic with me</spoiler>. Secondly, Josh and Margot <spoiler>had sex</spoiler>. If I knew that about my sister and the guy I have a crush on, I think any feelings would immediately be doused. Just no.

Now, Peter. First of all, Peter is still into his ex, a girl he’s on/off dated for all of high school and some of middle. If that doesn’t spell trouble, I don’t know what does. Secondly, Peter continually treats Lara Jean badly. He continually makes fun of her, picks fights with her, and has very little to say positively about her. He’s also extremely vain/selfish, a fact which Lara Jean CONTINUALLY brings up. If she can see it, I don’t know why Peter becomes attractive to her because that seems a bit problematic, especially given her romantic notions. After a certain point in the book, Lara Jean starts saying, “He’s really not like that,” or “He’s actually a nice guy,” or something to that effect. What I want to know is, how has she come to this conclusion? Even though a good percentage of the book is her and Peter hanging out, I don’t really see him change at all from her initial perception of him: he’s a bro, he’s vain, etc. Either Han is just not good at showing character development or she wrote Lara Jean to be just like all the other girls Lara Jean complains about when in connection to Peter: Peter’s a charmer and he makes every woman fall in love with him. Which means that no, he’s not actually nicer than people thought, not as self-involved as everyone thought, he’s just really good at conning people. I’m leaning towards this one a little bit because Lara Jean often says things like, “If Peter asks, I’ll probably do it,” as in, Peter can convince her to do things she normally wouldn’t do. If that’s how it is, then no – Peter is a terrible choice for a boyfriend.

Final thoughts:

So, ultimately, this book is a giant tease – it hints at romance, doesn’t deliver, and then expects you to read the next book to find out. Also, both love interests are terrible and Lara Jean is so babyish it’s hard to imagine anything romantic happening with her in a way that wouldn’t be creepy because she seems like a 13 year old. It’s a fast read – mostly because I kept trying to get to the good part, but it never happened. Will I read the next one? Probably, because it’ll probably be just as quick. I know I might be setting myself up for more disappointment, but at least it will be over quickly. I don’t know who I’d recommend this to.

milk and honey

milk and honey by rupi kaur     204 pages

milk and honey is a collection of poetry and prose about survival. It is about the experience of violence, abuse, love, loss, and femininity. It is split into four chapters, and each chapter serves a different purpose, deals with a different pain, heals a different heartache. milk and honey takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.

Though I'm sure this would be categorized under confessional poetry, to me a lot of it read like motivational poster captions or something inspirational someone would probably tattoo on their forearm.  Though I have read enough poetry to know that almost anything can be considered poetry, it doesn't mean I have to agree. I would consider Kaur's writing as more of a diary/memoir of her reflections on her life, particularly the most traumatic moments and how she was able to get past them. I can see how this work is inspirational to some, and Kaur definitely deserves to be called brave because she does not hide the fact that this is a work of deeply personal emotions and experiences. I just can't get past how simplistic most of it seems. But then, a lot of people might really need someone to tell them, "You matter," or "Love yourself first," and I don't mean that in a sarcastic way. This is definitely something I would give to someone I knew was going through a rough patch and really needs some advice on self-care. That being said, I did not enjoy the majority of this book. A handful of "poems" stuck out to me, but most of it seemed derivative of works or quotes I'd seen or heard before. I'm very picky when it comes to poetry and none of these poems really spoke to me or made my skin prickle or caused me to feel a rise of emotion. Perhaps I'm not the intended audience, I'm not sure. Either way, for me, this was mostly just an "eh" book and I probably won't read it again. If you got something out of it, great. I think Kaur is justified in sharing this piece of herself because there are lots of people out there who need to hear the things she's stated in this book.

Not If I See You First

Not If I See You First by Eric Lindstrom     310 pages

Parker Grant doesn't need 20/20 vision to see right through you. That's why she created the Rules: Don't treat her any differently just because she's blind, and never take advantage. There will be no second chances. Just ask Scott Kilpatrick, the boy who broke her heart. 

When Scott suddenly reappears in her life after being gone for years, Parker knows there's only one way to react - shun him so hard it hurts. She has enough

on her mind already, like trying out for the track team (that's right, her eyes don't work but her legs still do), doling out tough-love advice to her painfully naive classmates, and giving herself gold stars for every day she hasn't cried since her dad's death three months ago. But avoiding her past quickly proves impossible, and the more Parker learns about what really happened - both with Scott, and her dad - the more she starts to question if things are always as they seem. Maybe, just maybe, some Rules are meant to be broken.

Parker Grant is one of my favorite literary characters now. She's funny, she's direct (read: brutally honest), and she's a fierce, loyal friend. I am so glad I got to read a book from her perspective. And she's blind, a fact that does not change how you read her as a relatable teen character. Lindstrom does a fantastic job of adding layers to this story - Parker's blindness is not there to make her special or novel. She's just a YA protagonist who happens to be blind. And I learned so much about what being blind means from Parker. That was a brilliant side bonus to this story. I will never forget what she has taught me. Having a close friend who is disabled, I can relate a lot to Parker's friends and that dynamic. Many times, it doesn't change how the friendship is - only things like how the world handles the differently-abled changes things, like making it more difficult for them to get around or people treating them differently because they have this idea of how they're supposed to be treated. This is brought up well in the book, often in humorous ways so it doesn't feel preachy or overly sympathetic (things that Parker would hate). The story is so well constructed, the characters develop and evolve, and there are some very sweet, touching moments about friendship in here, about how you can love your friends and lean on them when you really need to. It's a great story about friendship, among other things. It's also a high school drama, and there is lots of drama, but it never feels cliched or redone. Lindstrom is not telling this story just because it's his idea for a high school story. There are many levels happening here and the fact that it takes place during high school is just a fact, not the main purpose. I also greatly appreciate the use of this novel to show that differently-abled people can do amazing, extraordinary things that often people would think them incapable of. Parker runs track. And she's good at it and it gives her a freedom that many would think her unable to achieve. I love that this book shows that, it's such an important thing, aside from bringing diversity to YA. Because of this, I would highly recommend this book to everyone, adults included. And Parker is a great character - she should get more recognition.

 

Juba!

Juba! by Walter Dean Myers     208 pages

This engaging historical novel is based on the true story of the meteoric rise of an immensely talented young black dancer, William Henry Lane, who influenced today's tap, jazz, and step dancing. With meticulous and intensive research, Walter Dean Myers has brought to life Juba's story.

A nice, short, historical-fiction read about the life of William Henry Lane, or Juba, a young African-American man who loved dance and wanted to practice it as an art form. Though his life is short, it is fascinating and I was surprised I hadn't heard of him before picking up this book, especially since he caught the attention of Charles Dickens and was even mentioned by Dickens in one of his books, "American Notes." 

Myers really captured the spirit and passion of Juba for dance and for making more out of his life through art. It was interesting to trace Juba's path through various productions and see him grow and yet still not make it as big as he should have. There is some really important discussion of race in early America. One of Juba's friends, who is a free African-American, gets captured and sold back into slavery. Juba is continuously confronted by his skin color and often asked to "coon it up" when he dances because that is the expected idea of what an African-American is like, that is what the audience wants to see. This would be a good school read, I think, to show a particular slice of American history and to teach about race relations in America.

All in all, it was very illuminating and I would definitely recommend this book to anyone interested in African-American history and to anyone who is not familiar enough with African-American history. This is a very important read, in my opinion. Please give it a look.

The Darkest Minds

The Darkest Minds by Alexandra Bracken     488 pages

When Ruby woke up on her tenth birthday, something about her had changed. Something frightening enough to make her parents lock her in the garage and call the police. Something that got her sent to Thurmond, a brutal government “rehabilitation camp.” She might have survived the mysterious disease that had killed most of America’s children, but she and the others emerged with something far worse: frightening abilities they could not control.

Now sixteen, Ruby is one of the dangerous ones. When the truth comes out, Ruby barely escapes Thurmond with her life. She is on the run, desperate to find the only safe haven left for

kids like her—East River. She joins a group of kids who have escaped their own camp. Liam, their brave leader, is falling hard for Ruby. But no matter how much she aches for him, Ruby can’t risk getting close. Not after what happened to her parents. When they arrive at East River, nothing is as it seems, least of all its mysterious leader. But there are other forces at work, people who will stop at nothing to use Ruby in their fight against the government. Ruby will be faced with a terrible choice, one that may mean giving up her only chance at having a life worth living.

If there was any book I would recommend for those who have read and liked The Hunger Games series, this is IT (aside from telling them they have to read Battle Royale first). It's got kids fighting for their lives (against other kids and adults, really), it's got an over-arching governmental bad-guy, it's got betrayal/suspicion vibes all over it. It really fits right in there, so I'm surprised I'd never heard of this book until I started seeing movie trailers popping up for it.

Honestly, this book is probably even better written than The Hunger Games - Bracken has a strong writing style that grabs you and doesn't let go. This book made me so anxious the entire time I was reading it. It's a very on-the-edge-of-your-seat type read. The plot is hard hitting, a bit slow on take-off, but once it takes off, BAM! You're in the thick of it and it doesn't slow down, not even at the end. It really rolls you right into the next book, you feel you have to keep reading to get to the bottom of this story.

Ruby is certainly a more likable figure than Katniss will ever be (but for those who are fans of Katniss, I say this not to diss her). Ruby is softer than Katniss, but she has that hard-hitting, fueled-by-anger-fighter in her that, when unleashed, could definitely rival Katniss. Ruby fights for the ones she loves, she is not going to roll over and take it lying down. But she is also fragile in this book, probably the most fragile she will be in the entire series, but Bracken doesn't make that seem like a bad thing. In fact, by the end of it, Ruby recognizes that her gentle side, her loving side, is a real, valuable part of her, one that she has to put away for the time being to get things done. But when it's all said and done, that rougher, monstrous side of her is not something to be proud of, only a necessary evil. Like Katniss, Ruby takes up the gauntlet for her friends, her family, and she will fight to protect those she loves. She is willing to play the game.

This is a great, action-paced YA dystopian book, full of amazing characters and well-written dialog and character development (and it's diverse, which is nice!). Ruby, Liam, Chubs, and Zu feel like a family and it's such a great thing to see develop. I can't recommend this book more, it's so good.

Mercury

Mercury: An Intimate Biography of Freddie Mercury     368 pages

As lead vocalist for the iconic rock band Queen, Freddie Mercury’s unmatched skills as a songwriter and flamboyant showmanship made him a superstar, and Queen a household name. But few people ever really glimpsed the man behind the glittering faÇade.      

Mercury was the first major rock star to die from AIDS. Now, twenty years after his death, those closest to him are finally opening up about this pivotal figure in rock n’ roll. With unprecedented access to Mercury’s tribe, rock journalist Lesley-Ann Jones has crafted the definitive account of Mercury’s legendary life. Jones details Queen’s slow but steady rise to fame, and Mercury’s descent into dangerous, pleasure-seeking excesses. Jones doesn’t shy away from Mercury’s often colorful lifestyle—this was, after all, a man who once declared, “Darling, I’m doing everything with everyone.”     

In her journey to understand Mercury, Jones traveled to London, Zanzibar, and India—talking with everyone from Freddie’s closest friends, to the sound engineer at Band Aid (who was responsible for making Queen louder than the other bands), to second cousins halfway around the world, an intimate and complicated portrait emerges. Meticulously researched, sympathetic yet not sensational, Mercury offers an unvarnished, revealing look at the extreme highs and lows of life in the fast lane.      

A decently written biography about a legendary rock singer. Jones' extensive interviewing reveals the thoughts and feelings of figures surrounding Freddie, with occasional quotes from the artist himself. Jones also interjects her own thoughts and feelings into the mix, which is fine. The book has follows a basic chronological order, paralleling Freddie's early life, his time with Queen, and his solo projects. No stone is left un-turned. While the writing isn't necessarily compelling, it covers important moments Freddie's life and it is pretty complete as far as information about him and those he was close to.

I would recommend it to any Queen fan or those curious to know more about the personal life of the fairly mysterious Freddie Mercury.

The Art of French Kissing

The Art of French Kissing by Brianna R. Shrum     256 pages

Seventeen-year-old Carter Lane has wanted to be a chef since she was old enough to ignore her mom's warnings to stay away from the hot stove. And now she has the chance of a lifetime: a prestigious scholarship competition in Savannah, where students compete all summer in Chopped style challenges for a full-ride to one of the best culinary schools in the country. The only impossible challenge ingredient in her basket: Reid Yamada.

After Reid, her cute but unbearably cocky opponent, goes out of his way to screw her over on day one, Carter vows revenge, and soon they're involved in a full-fledged culinary war. Just as the tension between them reaches its boiling point, Carter and Reid are forced to work together if they want to win, and Carter begins to wonder if Reid's constant presence in her brain is about more than rivalry. And if maybe her desire to smack his mouth doesn't necessarily cancel out her desire to kiss it.

I wanted to love this book, but instead I just enjoyed it for what is: a easy YA romance with a cooking competition thrown into the mix. Why didn't I love it? Well, for starters - some serious sabotage happens, and not the kind that can be laughed off as no big deal. No, it's the kind where it would be really inexcusable if the judges knew that it happened: tripping some one on purpose? Going into their room, going into their phone without their permission? No bueno. And it felt really unbalanced - the kind of sabotage that Reid did verses what Carter did are totally disproportionate. Carter crossed all the lines. I was not okay with what she did.

But the biggest issue I had was the romance between Reid and Carter. There is a strong animosity between them that is somehow crossed over into romantic tension/feelings. I don't buy it. I don't think the author did enough to show that switch between rivalry to camaraderie. And what I find even more problematic is that they cannot go long without blowing up at each other. Almost every encounter between them ends in an argument. And to top it all off - they sleep with each other. After only knowing each other for a few weeks, and starting off sabotaging each other. They decide to have sex. And the very next day, what happens? They blow up again. I just don't see how this is a good message for any teen. 

The author does attempt to be contemporary with her inclusion of comments about "privileged white girl problems," and the inclusion of a diverse cast (not just ethnicity, but also sexual orientation - Reid himself being what he calls "queer" and admitting to having dated a non-binary person). So I appreciate that this book is attempting to exist in a more current environment of inclusion, even if it did feel clunky and trying to hard on that score (a bit like name-dropping). 

Another issue - though I wouldn't call it a deal breaking one - was the writing style. For some reason, I felt the author's way of writing Carter's narrative, her speech, and even the speech of other characters seemed very weird and staccato. Lots of periods and half-sentences, such as "I'm really. Like mad at him." It was a bit difficult to read and it happened a lot. Most of the characters did this at some point, so it took a way, a bit, from the distinction of their voices.

Character-wise, it was a mixed bag. Carter was really hard to like at points, but other times she was relatable. I would be agreeing with her one minute, but within moments I would be shaking my head and completely hate her. It made me feel like the author didn't quite know how to write a character that is supposed to be the one you root for, but also one that would do things that were really despicable, just because it was the whole crux of the story and have it be believable. I still half-hate Carter after everything. And Reid was all over the place as well. At times, I couldn't understand why he'd be willing to put up with everything Carder does and still like her (and by the end, even love her!). Though his decision to sabotage her seems a bit weird, considering he otherwise seems like a likable guy, gives me the feeling that the "assholery" (as the author puts it) exhibited by both of them is purely for plot and doesn't really seem to be the nature of their characters outside of that. All other characters are really just props for the story and aren't really fleshed out, most of them don't even have names.

Overall, I would say I liked reading this story, but I would be hard-pressed to recommend it to anyone unless I knew they were into YA romance stories. This book has a very specific audience and does not really do much to attract outside of that, in my opinion.

The Breadwinner

The Breadwinner by Deborah Ellis     171 pages

Eleven-year-old Parvana lives with her family in one room of a bombed-out apartment building in Kabul, Afghanistan’s capital city. Parvana’s father — a history teacher until his school was bombed and his health destroyed — works from a blanket on the ground in the marketplace, reading letters for people who cannot read or write. One day, he is arrested for the crime of having a foreign education, and the family is left without someone who can earn money or even shop for food.

As conditions for the family grow desperate, only one solution emerges. Forbidden to earn money as a girl, Parvana must transform herself into a boy, and become the breadwinner.

This book was hard to read - the atrocities happening in Afghanistan seem unbelievable in our modern time: women's freedoms being limited to just their homes, unless accompanied by a man, having to cover up in full while out, not being able to go to school or hold jobs, not allowed to make noise or have a voice, etc.

But this book does important work shedding some light on the experiences of Afghans at the hands of extremists. It's an important work that children and adults should be exposed to and I'm glad I was able to read it.