Masters of Mannerism

The Masters of Mannerism by Marianne Haraszti-Takacs, translated by Eva Racz, 121 pages

Like many historical artistic styles, Mannerism was categorized and named centuries after its time by critics who held it in contempt.  Mannerism occupies the transitional period as the strict order and harmony of the Italian Renaissance was imitated and adapted throughout Europe, even as this style shaded into the expressive exuberance of the Baroque.  For strict classicists, the sixteenth century turn away from Renaissance ideals of balance and proportion could only be the hallmark of decadence.  On the other hand, artists who wallowed in decadence tended to regard Mannerism as overly intellectual and artificial.

Haraszti-Takacs' aim, beyond showcasing the collection at the Budapest Museum of Fine Arts, is to demonstrate that Mannerism was an innovative, intelligent, expressive style worthy of respect - a simple task when artists like El Greco and Parmigianino are brought under the Mannerist umbrella.  Unfortunately, the lackluster reproductions of the works being discussed severely detracts from the book's value.