Midwinterblood,
Marcus Sedgwick, 262 pages, audiobook length 05:50:00
A reporter from the mainland investigates rumors of an
island where people live unnaturally long lives. Two children are told a ghost
story about a forbidden love. A pilot hides from the enemy army in a small
farmhouse. The Viking chief’s brother returns after a long exile. A young girl befriends
an elderly painter. An archaeologist discovers something wonderful and
something horrible. A king sacrifices himself so that his people will not
starve. Seven interconnected stories, reminiscent of David Mitchell’s Cloud Atlas, span from the near future
to the immemorial past, all set on the Norse island of Blessed, where the mysterious
dragon orchid blooms.
I went into Midwinterblood
knowing absolutely nothing, so the short-story-esque format threw me off at
first, and it took me a while to get into the swing of things. Although each
chapter is indeed quite short, the book still feels like it takes its time, slowly
circling around its thesis, and I wish each story had had more in common with
the others, more parallels and interconnectedness. When all is said and done,
though, I enjoyed the story and the format quite a bit. I would recommend Midwinterblood for someone seeking an abstract,
artistic, and atmospheric novel, rather than someone hoping for a more
traditional overall plot.
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