There Will Come a Darkness

There Will Come a Darkness by Katy Rose Pool, 496 pages

This is a pretty solidly written action-adventure fantasy. The world is interesting and different. I felt like lots of elements of it were based on ancient history, in areas like Greece and Rome. I also liked the prophecy aspect of it, of five different characters whose stories will eventually overlap, each with their own role to play in this prophecy.

This book, while having familiar elements like good vs. evil, people with powers vs. people without, and prophetic hints for the future, it still managed to surprise me every once in a while.

The only thing that held me back from liking it was the fact that I didn’t care for any of the characters, which is usually a big bummer for me and keeps me from enjoying the book very much. But, I’d still recommend it, because I’m sure there are plenty of readers out there, especially fans of the fantasy genre, who would enjoy this book a great deal. It’s got action, it’s got supernatural elements, and it’s got a classic “end of the world” scenario on the horizon. So definitely check it out.

His Hideous Heart

His Hideous Heart edited by Dahlia Adler, 480 pages

Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.

Contributors include Kendare Blake (reimagining “Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morge”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”)

I wish I didn’t have such high expectations for this book going in, or I might have been less disappointed by it. I love Poe’s work so much, so seeing this anthology come-up I was thrilled at the prospect of reimagined tales. Sadly, I felt like the stories included here were just okay. One or two caught my attention, but overall, the feeling was less disturbing, more mildly spooky. Some of the stories just didn’t feel well put-together.

Would I still recommend this book? Yes, because I think it’s important that Poe’s writing is still being talked about and is being brought to new readers in a contemporary way. If you are a major fan of Poe, like me, just don’t go into this book with the bar set high. Give to those who are looking for an introduction into horror and want to start off with something light.

The Miseducation of Cameron Post

The Miseducation of Cameron Post by Emily M. Danforth     485 pages

From Goodreads:

When Cameron Post's parents die suddenly in a car crash, her shocking first thought is relief. Relief they'll never know that, hours earlier, she had been kissing a girl.

But that relief doesn't last, and Cam is soon forced to move in with her conservative aunt Ruth and her well-intentioned but hopelessly old-fashioned grandmother. She knows that from this point on, her life will forever be different. Survival in Miles City, Montana, means blending in and leaving well enough alone (as her grandmother might say), and Cam becomes an expert at both.

Then Coley Taylor moves to town. Beautiful, pickup-driving Coley is a perfect cowgirl with the perfect boyfriend to match. She and Cam forge an unexpected and intense friendship--one that seems to leave room for something more to emerge. But just as that starts to seem like a real possibility, ultrareligious Aunt Ruth takes drastic action to "fix" her niece, bringing Cam face-to-face with the cost of denying her true self--even if she's not exactly sure who that is.

Review:

This is a well written book in the much needed, slowly expanding LGBTQIA Young Adult genre. I think many teens will relate to Cameron’s earnest, authentic voice and her experiences as she grows up. There are a lot of difficult topics brought up, but it’s important that they are and this book doesn’t shy away from them. I think, not just for young adults, but adults as well, this book is a great choice. Danforth really captures the teenage voice and the story is so compelling. It’s a long read, but it’s really worth it and for anyone who likes that slice-of-life or coming-of-age genre, this is a perfect choice. It’s all about what it means to be a teenager and the highs and lows of young adult life. I would definitely recommend it.

American Street

American Street by Ibi Zoboi     324 pages

From Goodreads:

On the corner of American Street and Joy Road, Fabiola Toussaint thought she would finally find une belle vie—a good life.

But after they leave Port-au-Prince, Haiti, Fabiola’s mother is detained by U.S. immigration, leaving Fabiola to navigate her loud American cousins, Chantal, Donna, and Princess; the grittiness of Detroit’s west side; a new school; and a surprising romance, all on her own.

Just as she finds her footing in this strange new world, a dangerous proposition presents itself, and Fabiola soon realizes that freedom comes at a cost. Trapped at the crossroads of an impossible choice, will she pay the price for the American dream? 

Wow, this book really packs a punch! I did not have any idea the book would end up where it did. Zoboi does an excellent job of slowly building tension, of taking a single issue and branching it out, weaving it into a network of issues so tangled that you, the reader, can't imagine what the best path would be to take. You can only sit back and hope that Fabiola makes it out okay, and preferably gets her mother back. The writing is excellent, every character with strong, distinct voices creating a tightly woven fabric of family, because, after all, it's what you you do for fam.

I cannot say I enjoyed reading this book because it was so sad. I don't like reading sad books. But it's an important look into immigrant life in America, and of a particular city that has suffered much at the hands of gentrification. Fabiola's story is powerful, evocative, and it demands reading.

Vox

Vox by Christina Dalcher     326 pages

"Set in an America where half the population has been silenced, VOX is the harrowing, unforgettable story of what one woman will do to protect herself and her daughter.

On the day the government decrees that women are no longer allowed more than 100 words daily, Dr. Jean McClellan is in denial—this can't happen here. Not in America. Not to her.

This is just the beginning.

Soon women can no longer hold jobs. Girls are no longer taught to read or write. Females no longer have a voice. Before, the average person spoke sixteen thousand words a day, but now women only have one hundred to make themselves heard.

But this is not the end.

For herself, her daughter, and every woman silenced, Jean will reclaim her voice."

My overall thoughts are that this book, whose premise was so intriguing to me, didn’t go far enough to match my expectations. I wanted it to be so much more than it was. In some ways, it felt like Dalcher was trying to write a “Handmaid’s Tale” read-alike, but Jean just cannot live up to the standard of Offred. The story is too short and doesn’t really explore the world too much. Like with “Handmaid’s Tale,” Jean has little interaction with the resistance, in fact she didn’t even realize there could be one, and so much of the story is focused on Jean’s own reception of and reaction to the Pure Movement. Since I didn’t care for Jean, I cared little for her comments or feelings on the whole situation and so the book was really just me trying to figure out how this movement would be brought down, or if it even would be. So, would I recommend it? Yes, to those who like reading dystopias or are interested in feminist literature. But otherwise, I’d say people could pass on it and they wouldn’t be missing much.

Hurricane Child

Hurricane Child by Kheryn Callendar     256 pages

"Twelve-year-old Caroline is a Hurricane Child, born on Water Island during a storm. Coming into this world during a hurricane is unlucky, and Caroline has had her share of bad luck already. She's hated by everyone in her small school, she can see things that no one else can see, and -- worst of all -- her mother left home one day and never came back. With no friends and days filled with heartache, Caroline is determined to find her mother. When a new student, Kalinda, arrives, Caroline's luck begins to turn around. Kalinda, a solemn girl from Barbados with a special smile for everyone, seems to see the things Caroline sees, too. Joined by their common gift, Kalinda agrees to help Caroline look for her mother, starting with a mysterious lady dressed in black. Soon, they discover the healing power of a close friendship between girls."

This book was not for me. Not only were the main characters unlikable, but the themes in this story seemed much too heavy to be geared toward young readers (now, I know, depending on where children grow up and what their sexual orientation is, or what their home life is like, this story isn't any worse than what they've experienced, but the way this story is written doesn't seem like it would bring a reader in, especially a young reader. The writing style, to me, doesn't seem as if it were written for the age the main character is, but this is my opinion). I will just say that I don't know what kind of reader I would ever be able to recommend this book to, because the story is challenging, the narrative is a bit all over the place, and there is not much of a plot.

Five Feet Apart

Five Feet Apart by Rachael Lippincott     288 pages

"Stella Grant likes to be in control—even though her totally out of control lungs have sent her in and out of the hospital most of her life. At this point, what Stella needs to control most is keeping herself away from anyone or anything that might pass along an infection and jeopardize the possibility of a lung transplant. Six feet apart. No exceptions.

The only thing Will Newman wants to be in control of is getting out of this hospital. He couldn’t care less about his treatments, or a fancy new clinical drug trial. Soon, he’ll turn eighteen and then he’ll be able to unplug all these machines and actually go see the world, not just its hospitals.

Will’s exactly what Stella needs to stay away from. If he so much as breathes on Stella she could lose her spot on the transplant list. Either one of them could die. The only way to stay alive is to stay apart. But suddenly six feet doesn’t feel like safety. It feels like punishment.

What if they could steal back just a little bit of the space their broken lungs have stolen from them? Would five feet apart really be so dangerous if it stops their hearts from breaking too?"

This was such a beautiful love story, told from the perspective of two teenagers with Cystic Fibrosis. Will and Stella couldn't be more different in their outlook on life, him wanting to stop treatment and life life to the fullest while he still can, she trying to hold everything together to get better so she won't hurt the people she loves. But when they meet, slowly they change each other for the better and they find love where they didn't expect it.

I found both Stella and Will to be well rounded characters and I liked them both. They both seemed believable and earnest in their feelings and the why of their feelings was explained well. I also felt that the relationships with side characters was strong, mostly between Stella and Poe. There was a feeling of real time spent together, their routines and inside jokes helped show just how much the knew and loved each other. Not much time was spent with other friend characters, like Stella's school friends or Will's friends, but the story was not long, so there wasn't much time to include these.

I think the parents were believable as well, though I do think it was a bit too good to be true for Stella's parents to <spoiler> have gotten back together so easily and quickly after Stella's long transplant</spoiler>. I do like that the parents were there and involved, rather than just being props to make the story move along.

I kept wondering how the story would end, since the prospect of CF being terminal suggests that one or both characters could die at any time. I am glad that the author didn't create a magical/unbelievable recovery for Will or made it so that both characters actually could be together in the way they wanted, as this would have taken away from the reality that this book is trying to convey. The ending is bittersweet, but also ambiguous in a hopeful way. Stella's and Will's stories are not quite over and you, the reader, are left to imagine what you think might happen to them.

Lastly, I very much enjoyed the author's decision to provide a very real portrayal of the lives of people with CF. I think many stories don't handle illnesses well, or attempt to use illness as a quirk to create a compelling or unique romance and end up using the illness as a tool or don't present it in an accurate way, thus showing that the inclusion of illness in the story is just to make it novel or provide a tragic reason that the two leads cant be together - I’m looking at you, Everything, Everything! From the way this book was written, really lovingly, I could tell that the author wanted to provide a positive story for those who have CF, that accurately represented their lives, and that would make them seen by the rest of the world. At no point in the book did I feel like CF was just a story tool or was used to add heightened drama. It was very real, eye opening, and moving.

I would highly recommend this story and I am very glad I read it. Anyone who loves teen romance stories or who want to read a book with compelling, well written characters should read this book.

A Spark of Light

A Spark of Light by Jodi Picoult     352 pages

The warm fall day starts like any other at the Center—a women’s reproductive health services clinic—its staff offering care to anyone who passes through its doors. Then, in late morning, a desperate and distraught gunman bursts in and opens fire, taking all inside hostage.

After rushing to the scene, Hugh McElroy, a police hostage negotiator, sets up a perimeter and begins making a plan to communicate with the gunman. As his phone vibrates with incoming text messages he glances at it and, to his horror, finds out that his fifteen-year-old daughter, Wren, is inside the clinic.

But Wren is not alone. She will share the next and tensest few hours of her young life with a cast of unforgettable characters: A nurse who calms her own panic in order save the life of a wounded woman. A doctor who does his work not in spite of his faith but because of it, and who will find that faith tested as never before. A pro-life protester disguised as a patient, who now stands in the cross hairs of the same rage she herself has felt. A young woman who has come to terminate her pregnancy. And the disturbed individual himself, vowing to be heard.

This was a fascinating story, and well crafted, as it weaves together the stories of several lives as they intersect on one particular day at a woman's reproductive health clinic.

Some are there to get an abortion, some are there to get the pill, some are there because they work there, they are the abortion doctor, or that is where they receive they're gynecological exams. Whatever the reason, on this fateful day all their lives are thrown together when an anti-abortion activist starts shooting.

This story was a bit difficult to follow, at first, as it traces the story backwards. Immediately you're thrust into the story, amongst the hostages, the negotiator, and the gunman. It's always difficult for me when a story jumps back and forth between perspec

tives, and this story followed ten different people, and it jumped rather frequently.

The thing that Picoult is so skilled at is revealing the story, bit by bit, until all the pieces begin to come together, finally, into a whole, at the very end. And when you finally get a major reveal you've been waiting for the whole time you've been reading, often you end up making some audible sound, like a gasp, because you just didn't see it coming. At least, that's how it was for me, though not as strongly this time, as I predicted the sort-of big reveal before it happened, though not until I was at least half-way done.

The parts I loved about this story were the different character's stories and how they all fit together to tell this overarching story about abortion from all sides. Going into this story, you might just think it's a pro-live vs. pro-choice struggle. But there are so many facets that make up the abortion discussion, that aren't as often brought up. Picoult makes sure to touch them all. I learned so much just reading this book - and I highly recommend reading Picoult's "Author's Note," as well, where she speaks personally about her thoughts on abortion.

That being said, what kept this from being higher rated for me were the numerous times that this story felt less like a story and more like a "covering all the bases" blanket statement about abortion. As much as I appreciated all the information about abortion, sometimes the story element was lacking and a character became a mouth-piece to tell me a specific fact or point of view about abortion rather than me feeling link this was something heart-felt by that character. This story is definitely coming in at a time where these kinds of discussions are raging and abortion is painting a wide swath in a political landscape. This notion unfortunately colors my enjoyment of the story, a bit, as it feels like a PSA rather than a story.

But otherwise, I really felt like this was well done and is definitely up there in my list of favorite Picoult books. I would definitely recommend it to anyone because perspective is necessary when it comes to topics like these. Empathy is an amazing eye-opener, and getting an idea of what someone facing such a choice might be thinking or feeling or even knowing what their life is like is important and humanizing, a point that Picoult is emphasizing, underlining, and exclaiming with every word. So read it.

It Only Happens in the Movies

It Only Happens in the Movies by Holly Bourne     416 pages

Audrey is over romance. Since her parents' relationship imploded her mother's been catatonic, so she takes a cinema job to get out of the house. But there she meets wannabe film-maker Harry. Nobody expects Audrey and Harry to fall in love as hard and fast as they do. But that doesn't mean things are easy. Because real love isn't like the movies...

The greatest love story ever told doesn't feature kissing in the snow or racing to airports. It features pain and confusion and hope and wonder and a ban on cheesy clichés. Oh, and zombies... 

A part of me wishes that this book ended differently, but a different part of me knew it could only end the way it did and I'm glad Bourne chose to end it that way. The story is a beautiful monument to what is wrong with stereotype romance films and how, on the whole, these stereotypes warp society's way of experiencing love, expecting certain things, giving up others, letting things happen because love is the end goal.

Is love a choice or a feeling? When this question gets put to Audrey, she feels one way, but by the end, she recognizes that it isn't what she initially thought. Her character development is so strong in this book - I absolutely loved reading her. She begins the novel with a torn up heart - suffering from a teen, school romance gone sour - and on top of that, her own parents' bitter divorce has gotten much worse because her childhood home is being forcibly sold by her father to pay for his new family's lifestyle. Swearing off love, Audrey doesn't expect to fall into another relationship again, especially when it appears to come from the most stereotypical of sources. Harry's character is everything you'd expect out of a teen romance movie. Bourne did an excellent job, though, of building him into something that you could see Audrey accepting, the kind of guy who, despite being warned off by many, she falls for. Thus the romance ensues.

But Audrey's cinema class offers her an opportunity to explore what is wrong with Hollywood romances and to look at her own relationships with a critical eye. The book is full of amazing, stereotype-smashing scenes that really just make me love Audrey more. And the cast of characters is great, bringing the humor, the love, and the support that Audrey needs. This book wasn't what I expected it to be and so I understood why (view spoiler).

So yeah, a very well written book - despite my being unsatisfied with the end (it's not warranted, but as a rational human being I can accept it. I just like my romances to be...different). I would definitely put this in an anti-valentine display - Audrey's cinema project alone is a great example of anti-valentines protest. But I'd also recommend it just so people can read a genuinely well written female character. Audrey is flawed, but she is also strong, capable, and feeling. She makes mistakes but she also owns up to them and she does her best to be better. She tries. And I love her for it.

Mercury

Mercury: An Intimate Biography of Freddie Mercury     368 pages

As lead vocalist for the iconic rock band Queen, Freddie Mercury’s unmatched skills as a songwriter and flamboyant showmanship made him a superstar, and Queen a household name. But few people ever really glimpsed the man behind the glittering faÇade.      

Mercury was the first major rock star to die from AIDS. Now, twenty years after his death, those closest to him are finally opening up about this pivotal figure in rock n’ roll. With unprecedented access to Mercury’s tribe, rock journalist Lesley-Ann Jones has crafted the definitive account of Mercury’s legendary life. Jones details Queen’s slow but steady rise to fame, and Mercury’s descent into dangerous, pleasure-seeking excesses. Jones doesn’t shy away from Mercury’s often colorful lifestyle—this was, after all, a man who once declared, “Darling, I’m doing everything with everyone.”     

In her journey to understand Mercury, Jones traveled to London, Zanzibar, and India—talking with everyone from Freddie’s closest friends, to the sound engineer at Band Aid (who was responsible for making Queen louder than the other bands), to second cousins halfway around the world, an intimate and complicated portrait emerges. Meticulously researched, sympathetic yet not sensational, Mercury offers an unvarnished, revealing look at the extreme highs and lows of life in the fast lane.      

A decently written biography about a legendary rock singer. Jones' extensive interviewing reveals the thoughts and feelings of figures surrounding Freddie, with occasional quotes from the artist himself. Jones also interjects her own thoughts and feelings into the mix, which is fine. The book has follows a basic chronological order, paralleling Freddie's early life, his time with Queen, and his solo projects. No stone is left un-turned. While the writing isn't necessarily compelling, it covers important moments Freddie's life and it is pretty complete as far as information about him and those he was close to.

I would recommend it to any Queen fan or those curious to know more about the personal life of the fairly mysterious Freddie Mercury.

The Art of French Kissing

The Art of French Kissing by Brianna R. Shrum     256 pages

Seventeen-year-old Carter Lane has wanted to be a chef since she was old enough to ignore her mom's warnings to stay away from the hot stove. And now she has the chance of a lifetime: a prestigious scholarship competition in Savannah, where students compete all summer in Chopped style challenges for a full-ride to one of the best culinary schools in the country. The only impossible challenge ingredient in her basket: Reid Yamada.

After Reid, her cute but unbearably cocky opponent, goes out of his way to screw her over on day one, Carter vows revenge, and soon they're involved in a full-fledged culinary war. Just as the tension between them reaches its boiling point, Carter and Reid are forced to work together if they want to win, and Carter begins to wonder if Reid's constant presence in her brain is about more than rivalry. And if maybe her desire to smack his mouth doesn't necessarily cancel out her desire to kiss it.

I wanted to love this book, but instead I just enjoyed it for what is: a easy YA romance with a cooking competition thrown into the mix. Why didn't I love it? Well, for starters - some serious sabotage happens, and not the kind that can be laughed off as no big deal. No, it's the kind where it would be really inexcusable if the judges knew that it happened: tripping some one on purpose? Going into their room, going into their phone without their permission? No bueno. And it felt really unbalanced - the kind of sabotage that Reid did verses what Carter did are totally disproportionate. Carter crossed all the lines. I was not okay with what she did.

But the biggest issue I had was the romance between Reid and Carter. There is a strong animosity between them that is somehow crossed over into romantic tension/feelings. I don't buy it. I don't think the author did enough to show that switch between rivalry to camaraderie. And what I find even more problematic is that they cannot go long without blowing up at each other. Almost every encounter between them ends in an argument. And to top it all off - they sleep with each other. After only knowing each other for a few weeks, and starting off sabotaging each other. They decide to have sex. And the very next day, what happens? They blow up again. I just don't see how this is a good message for any teen. 

The author does attempt to be contemporary with her inclusion of comments about "privileged white girl problems," and the inclusion of a diverse cast (not just ethnicity, but also sexual orientation - Reid himself being what he calls "queer" and admitting to having dated a non-binary person). So I appreciate that this book is attempting to exist in a more current environment of inclusion, even if it did feel clunky and trying to hard on that score (a bit like name-dropping). 

Another issue - though I wouldn't call it a deal breaking one - was the writing style. For some reason, I felt the author's way of writing Carter's narrative, her speech, and even the speech of other characters seemed very weird and staccato. Lots of periods and half-sentences, such as "I'm really. Like mad at him." It was a bit difficult to read and it happened a lot. Most of the characters did this at some point, so it took a way, a bit, from the distinction of their voices.

Character-wise, it was a mixed bag. Carter was really hard to like at points, but other times she was relatable. I would be agreeing with her one minute, but within moments I would be shaking my head and completely hate her. It made me feel like the author didn't quite know how to write a character that is supposed to be the one you root for, but also one that would do things that were really despicable, just because it was the whole crux of the story and have it be believable. I still half-hate Carter after everything. And Reid was all over the place as well. At times, I couldn't understand why he'd be willing to put up with everything Carder does and still like her (and by the end, even love her!). Though his decision to sabotage her seems a bit weird, considering he otherwise seems like a likable guy, gives me the feeling that the "assholery" (as the author puts it) exhibited by both of them is purely for plot and doesn't really seem to be the nature of their characters outside of that. All other characters are really just props for the story and aren't really fleshed out, most of them don't even have names.

Overall, I would say I liked reading this story, but I would be hard-pressed to recommend it to anyone unless I knew they were into YA romance stories. This book has a very specific audience and does not really do much to attract outside of that, in my opinion.

Furyborn

Furyborn by Claire Legrand     512 pages (read an ARC of this book)

Rielle and Eliana fight in a cosmic war that spans millennia, their stories intersect, and the shocking connections between them ultimately determine the fate of their world--and of each other.

This book is a wild, high-fantasy ride. There is war, there is "elemental" magic, there is love-triangle madness, and there is lots and lots of female-badassery. This book felt like a hot-mess to me in a lot of ways, starting with the world building. I could never quite get a handle on the general lay of the land these characters moved about in, nor get a feel for what everyday life is like for the average citizen living either in the "past" portions of the story or the "future" portions. I couldn't really tell if Celdaria was a kingdom by itself or was one of many kingdoms, I couldn't tell what other areas were allies with Celdaria. It was just a lot going on and not a lot well defined. Also, the magic. It never seemed well described to me. Elementals can wield a certain element, but from the descriptions I couldn't tell what "wielding" it actually looked like, and why everyone need a casting in order to do this and how that effects their magic. I also couldn't tell if some people were better at using their element then others, or even how many people are born elemental (like, is it a large portion of the population? Is it genetic? Is one elemental likely to birth a child who is able to use the same element? Do people without elemental ability begrudge those who do have the ability? Does the existence of elementals make ruling the kingdom difficult if you're not an elemental ruler? How are elementals policed so they don't use their elements for bad? I could go on, but that would take too long for this review). All in all, I'm left with lots of questions and no answers. It was a bit distracting while I read this book. I'll be curious to see how the rest of the series goes, since so much of Rielle's story is already given knowledge in Eliana's world. I am definitely curious enough to keep reading the series as it progresses, but I certainly hope the following books will shed more light on the things I want to know. Overall, I would say I enjoy the story this series is trying to tell and I would recommend it to people I know who love high-fantasy (with romance).

Into the Bright Unknown

Into the Bright Unknown by Rae Carson     348 pages

The third and final installment of the Gold Seer trilogy finds Lee and her friends settling into life in Glory. When Becky hears news that her home, which was taken apart and shipped from Tennessee all the way to San Francisco, had finally arrived, she and Lee and their friends head off to San Francisco to claim it. Trouble ensues when they run across an old acquaintance and discover their deal with Hardwick for their town treaty might have fallen through. How will Lee and her friends save Glory and their claims? What ensues is a wild, high stakes heist that ends Carson's trilogy with a bang. 

This was an excellent finish to Carson's Gold Seer trilogy. I have loved each installment and I'm thrilled that the last and final book did not disappoint.

This book holds the same thrill and excitement as the previous two books. Each character that you know and love and have seen progress throughout the series continue to do so in this book. What's even more fun is that they take on new roles to pull off an amazing heist.

That brings me to my favorite thing about this series. Though it is a series, each book feels different and its own thing, while still remaining tied to the other books in the series. I love that each book takes place in a different place (the first one on a wagon train, the second in a homestead/mine, and this one in San Francisco). Each story is complete and well put together, while at the same time pulling the reader through the long arduous journey that its central characters are on. It's brilliant writing and I hold this series up to be one of my favorites that I've ever read.

I love the writing, I love how much effort Carson has put into make this story as true to history as possible - it shows! It feels like a real history being told, with, obviously, a little magic mixed it. I love that Carson has chosen to shine a light on the stories of people who history often forgets - Native Americans, our early Chinese settlers, African Americans. Keeping their stories in view, forcing the reader to acknowledge these individuals and what they contributed to America's history is rarely seen, especially in YA fiction. I'm so glad Carson put the time and effort in to sharing their stories, even if only a handful of her characters are based on real historical figures.

I'd honestly recommend this book to anyone - the story is so well done, complex and page-turning, the characters are so well developed, the history is vivid and detailed. It's great for anyone who enjoys historical fiction (especially magical-realism), or anyone looking for a high-stakes YA read. Their are strong female characters, there are diverse characters, and the story pulls you right in. Give it a read! 

Beartown

Beartown by Fredrik Backman     418 pages

The saga of a small town and the ripples that one action causes all unfold from the various viewpoints of the grownups and children in Beartown.

This is a deep story, iceberg deep. On the surface is the story of the Beartown hockey team. Below it are all the different stories, complex and intricately told, of the people and children who make up the town and the team. Watching the different story lines unfold is one of the beauties of Backman's writing. Every character has their own voice, their dreams and their fears, and together, each voice paints a picture of the town. It's sad and it's bleak, it's hopeful and it's full of love. 

If you're into realistic fiction, especially of the small-town variety, this book is for you. Even if you don't appreciate or know anything about hockey, Backman draws you in, because this is not just about a hockey town, it's about the people that make up this hockey town. I found it infinitely frustrating, yet valuable, to read each character's reactions to/handling of rape, from the parents on down to the children. It will break your heart, but in the end, it's important because this story is build on empathy. 

The writing is beautiful, heartbreaking, and so well done. Though it was painful to get through in some parts, in the end, I feel it was worth the struggle. I highly recommend it. I listened to the audiobook of this story, which was very well done, and I'd recommend it, too.

Six of Crows

Six of Crows by Leigh Bardugo     465 pages

Set in the Grisha verse, Bardugo's story involves a heist, the highest stakes, and six very different people to pull it off. The job is to break into one of the most secure prisons in the world and rescue a certain prisoner, who holds the key to creating the worlds most dangerous drug for Grisha. Though very different from each other, each of the six main characters offers a special skill that will allow the group to potentially succeed in this mission. The stakes are high but the price is right.

Better and more interesting main characters than Bardugo's previous series. I'm glad to see the Grisha verse again, and finally with characters that are actually interesting and that I care about from Bardugo (thank goodness there are no Alina and Mal look-alikes in this book). 

The story is well crafted, the heist is exciting, the components all fit together nicely and Bardugo uses multiple pov to great effect in this area. The heist elements are nicely pared with the Grisha world and the stakes seemed real and important.

I guess my only hang up is that there are six main characters and, from what I can see, there will be six neat little pairs by the end of this series. I can understand one, maybe two bonds being formed amongst this group, but for all six of them to wind up in relationships seems so far-fetched and silly, but I guess I should expect it from Bardugo because she really likes nice, tidy romance endings. The pairing I find least believable is the one that seems to be forming between Jesper and Wylan. Their flirting feels a bit clumsy and last minute, but I guess Bardugo chose to have three couples rather than one solid couple and a love triangle. 

We'll see how things shake out in the next book, but I feel like this particular installment is very strong and I'd hate to see this short series go the way of Bardugo's previous series and fumble in the ending.

Simon Vs. the Homo Sapiens Agenda

Simon Vs. the Homo Sapiens Agenda by Becky Albertalli     303 pages

Sixteen-year-old and not-so-openly gay Simon Spier prefers to save his drama for the school musical. But when an email falls into the wrong hands, his secret is at risk of being thrust into the spotlight. Now change-averse Simon has to find a way to step out of his comfort zone before he's pushed out--without alienating his friends, compromising himself, or fumbling a shot at happiness with the most confusing, adorable guy he's never met.

Pretty straight-forward love story about a gay high school boy who falls in love with his pen pal who happens to be one of his classmates, he's just not sure which one. It's a story of "coming outs" in many different ways. It's a solid story with good characters and it has a quirkiness that many teen readers will enjoy. Albertalli does a good job of writing a male voice - and a gay one, at that - so she's clearly done her homework. It doesn't shy away from it's purpose, which is to present a romantic comedy featuring a gay main character. It's funny, sweet, and poignant.

Rags & Bones

Rags & Bones edited by Melissa Marr & Tim Pratt     356 pages

From Sir Edmund Spenser's The Faerie Queene to E. M. Forster's "The Machine Stops," literature is filled with sexy, deadly, and downright twisted tales. In this collection, award-winning and bestselling authors reimagine their favorite classic stories, the ones that have inspired, awed, and enraged them, the ones that have become ingrained in modern culture, and the ones that have been too long overlooked. They take these stories and boil them down to their bones, and reassemble them for a new generation of readers.

Meh. That's the overall feeling I have for this particular collection of stories. There are some stories in this book that I really liked, but overall, this was just an okay compilation.

The premise was for authors to take a "timeless" story and retell it, either in a completely new way, or at least slightly changed. Some of these stories I would consider "timeless" but there were some odd choices in this bunch - some stories that I had never heard of, so I wouldn't consider them "timeless." For instance - Gene Wolfe chose a story that, in his own words, is "one of those wonderful stories we have utterly forgotten." I would like to call this book out on it's "New Twists on Timeless Tales" claim. If I hadn't read a story before, I tried to track it down and read it first, so I'd understand how the author re-imagined the story. 

For the most part, these stories were very old, a lot of them in the Public Domain, so it wasn't hard. For Gene Wolfe's story, the "White Werewolf of the Saraban" I couldn't even Google it and get it's origin. It is so obscure a story it's only been published in one book - a compilation by Boris Karloff of all people - and it's worth a pretty penny if you want to own it. So, I didn't much appreciate being led to believe these stories were recognizable in any way.

What I'd like to sum up is that this book has a few choice authors that I really like and made me interested in reading this story - Neil Gaiman, Garth Nix,
Rick Yancey - but the majority of the stories, other than theirs, were just so-so. I wouldn't pick this book up again, and I wouldn't suggest it to someone unless I really knew they liked short stories or a majority of these authors.

There's Someone Inside Your House

There's Someone Inside Your House by Stephanie Perkins     289 pages

Makani Young thought she'd left her dark past behind her in Hawaii, settling in with her grandmother in landlocked Nebraska. She's found new friends and has even started to fall for mysterious outsider Ollie Larsson. But her past isn't far behind.

Then, one by one, the students of Osborne Hugh begin to die in a series f gruesome murders, each with increasingly grotesque flair. As the terror grows closer and her feelings for Ollie intensify, Makani is forced to confront her own dark secrets.

This book was interesting - it had fun parts, it had gory parts, it had typical teen drama. It was exactly what you'd expect for a YA slasher novel. There were violent murders - done by a serial killer and there was a budding teen romance. It was a fun, quick read and sure, highly predictable, but still enjoyable. I'd say the teens were pretty realistic - a bit stupid, a bit fool-hardy/I can protect my friends from a serial-killer, let's go get him ourselves, but most teens can be somewhat stupid about the world or believe they're invincible enough that they won't die.

I liked the effort to include diversity, though it was a bit questionable in some ways. But nevertheless, I didn't feel like I'd wasted my time, and I did really enjoy parts of this interesting story. Would I read it again? Probably not, but I would probably recommend it to others I thought might enjoy it.

Girls Made of Snow and Glass

Girls Made of Snow and Glass by Melissa Bashardoust     384 pages

Entwining the stories of both Lynet and Mina in the past and present, Girls Made of Snow and Glass traces the relationship of two young women doomed to be rivals from the start. Only one can win all, while the other must lose everything—unless both can find a way to reshape themselves and their story.

This book promises a more thrilling, action-packed story than it delivers. It's really a slow-paced, generalized re-telling of Snow White, with barely enough "fight" between the two main characters to justify the promise of an "only one can win" tagline. I liked it okay, but it was very meandering and not all that it was hyped to be and so I was unfortunately let down. 

Kudos to making a women-centered story and providing some diversity (a few lesbian characters), but even that was a bit predictable and really didn't improve the story. I didn't really love any of the characters and I only liked a few. But otherwise, a rather boring story that could have been so much more. 

Bad Feminist

Bad Feminist by Roxane Gay     320 pages

In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman of color while also taking readers on a ride through culture of the last few years and commenting on the state of feminism today. The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture.

There are so many good things to take away from this book. I love how Gay frames feminism in a personal way, how its okay to be a "bad" feminist, that everyone is human and has things they need to work on. Feminism also isn't this concrete set of rules, a right and wrong feminism. Too often, people are afraid to label themselves as feminists because they don't subscribe to purportedly "feminist" musts (i.e. no shaving your legs, man-hating, aggressive, etc). 

It's important to love yourself and to work on how you approach the world to try and be better and it's okay if you fail. We can love the things we love - recognize whether they aren't feminist - and work on trying to change those things, and ourselves, so that we can live in a world where we don't have to worry about whether or not something is misogynistic or made for men because we'll be living in a world where that isn't the automatic thing or the norm. It will be a long fight, but we can do it - and we shouldn't sit by complacently and let these things happen, either.