The German Genius: Europe's Third Renaissance, the Second Scientific Revolution, and the Twentieth Century by Peter Watson, 856 pages
This is a very ambitious work, but Watson's talent is not quite a match for that ambition. Perhaps it's because I just read The Long Nineteenth Century, which was largely concerned with providing context and nuance for this era, but The German Genius seems tremendously oversimplified. Watson's shallow understanding of some of the figures is underlined by his tendency to quote what others have said about them rather than what they themselves said, and to define deep bodies of work by those quotations. This sometimes results in the figures surveyed seeming isolated, so that while at its best (usually in sections dealing with science or art), The German Genius approaches works like Voltaire's Bastards and Rites of Spring, it more often reads like a biographical encyclopedia. This is exacerbated by the tight focus on German thinkers, which leads to absurdities such as Marx and Engels being discussed without any mention of Proudhon or Bakunin. Furthermore, this narrowness of scope makes the book's idolatry of Darwin even more odd. Watson sometimes acknowledges that nineteenth century German politics did not follow the contours we might expect (progressives, for example, were aggressively nationalistic), but at other times he writes as if they do. He presents honestly the many differing perspectives on German history advanced by German scholars, but doggedly follows a Lukacs-inspired narrative throughout.
With all of my criticisms and disagreements this is, nonetheless, the kind of work I would like to see more of, in that it actually treats ideas seriously and not as mere appendages of power politics. The breadth of its ambition is laudable, but marred by the narrowness of its execution.
No comments:
Post a Comment